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Portrait of Goya by Vicente López Portaña, c. 1826. Museo del Prado, Madrid. Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
Goya is often referred to as the last of the Old Masters and the first of the moderns. [3] Goya was born in Fuendetodos, Aragon to a middle-class family in 1746. He studied painting from age 14 under José Luzán y Martinez and moved to Madrid to study with Anton Raphael Mengs. He married Josefa Bayeu in 1773.
Blind Man's Bluff (Spanish: La gallina ciega) is one of the Rococo oil-on-linen cartoons produced by the Spanish artist Francisco de Goya for tapestries for the Royal Palace of El Pardo. The painting and the previous skectch are held in the Museo del Prado, in Madrid. [1]
Disparate No. 13: A way of flying (1815-1824), by Francisco Goya. In the transition between the 18th and 19th centuries, one of the most outstanding artists was Francisco Goya, who evolved from a style close to rococo to a certain pre-romanticism, but with a personal and expressive work with a strong intimate tone. He practiced etching ...
Rococo is the style of all Goya's cartoons except for The Snowstorm, The Injured Mason, Poor People ar the Fountain and their respective sketches. The painter used a palette of warm tones, reinforced by touches of impasto , [ 50 ] a style that gave Goya the possibility of creating his own pyramidal scheme.
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Goya was influenced by Neoclassicism, which was gaining favor over the Rococo style at the time. This particular painting is considered classicism for its relation to everyday life. Around this same time, Goya began painting portraits for many of the Spanish Monarchs. This was his first popular success that ultimately changed his career.
The subject of the oil painting is a recurring one in the history of Western art, especially in French painting, with Boucher and Fragonard, exponents of the Rococo. With obvious erotic connotations at the time, Goya may have discarded that sense of the subject, as it is a peaceful, familiar scene.