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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Marquise de Pompadour (mistress of King Louis XV), whose name became synonymous with Rococo art, was a great admirer of his work. [10] Marquise de Pompadour is often referred to as the "godmother of Rococo" [ 10 ] and Boucher's portraits were central to her self-presentation and cultivation of her image.
The art market was completely bent to foreign fashions, and local artists had to accept the situation by largely adopting the principles of French Rococo. The most popular genres in England were portraiture [44] and "conversation paintings," scenes showing groups of friends or family engaged in conversation, a typology that combined portraiture ...
José Campeche y Jordán (December 23, 1751 – November 7, 1809), is the first known Puerto Rican visual artist and considered by art critics as one of the best rococo artists in the Americas. Campeche y Jordán loved to use colors that referenced the landscape of Puerto Rico, as well as the social and political crème de la crème of colonial ...
Jean-Honoré Fragonard (French: [ʒɑ̃ ɔnɔʁe fʁaɡɔnaʁ]; 5 April 1732 [1] [2] – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism.
She enjoyed the patronage of European aristocrats, actors, and writers, and was elected to art academies in ten cities. [3] Some famous contemporary artists, such as Joshua Reynolds, viewed her as one of the greatest portraitists of her time, comparing her with the old Dutch masters. [4] Vigée Le Brun created 660 portraits and 200 landscapes. [5]
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La Gimblette is one of the most famous paintings by the French painter Jean-Honoré Fragonard and one of the most famous Rococo paintings. Like other paintings by Fragonard, such as The Swing, La Gimblette also has a frivolous component. "The lovers' paradise in the middle of the 18th century is no longer ours at the end of the 20th century.