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A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.
These wall paintings, an arabesque form of mural or fresco, show various geometric designs in bright colors: "Called 'nagash' in Arabic, the wall paintings were a mark of pride for a woman in her house." [45] The geometric designs and heavy lines seem to be adapted from the area's textile and weaving patterns.
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17th century Delft blue and white tile with sea monster. Delftware wall tiles, typically with a painted design covering only one (rather small) blue and white tile, were ubiquitous in Holland and widely exported over Northern Europe from the 16th century on, replacing many local industries. Several 18th century royal palaces had porcelain rooms ...
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Close-up of Spaceship Earth's Alucobond tiles prior to the installation of the "Beacon of Magic" LED lights in the circular gaps. The structure is similar in texture to the United States pavilion from Expo 67 in Montreal but, unlike that structure, Spaceship Earth is a complete sphere, supported by three pairs of legs.