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In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
A mock-Victorian revisionist version of Romeo and Juliet 's final scene (with a happy ending, Romeo, Juliet, Mercutio, and Paris restored to life, and Benvolio revealing that he is Paris's love, Benvolia, in disguise) forms part of the 1980 stage-play The Life and Adventures of Nicholas Nickleby. [144]
The phrase is spoken in Act 3, Scene 1 of the tragedy. Tybalt, a kinsman of the Capulets and cousin to Juliet, is dueling with Mercutio, a friend of Romeo from the Montague family. Romeo and Benvolio attempt to break up the fight. Mercutio, distracted, does not see his opponent and is fatally wounded by Tybalt under Romeo's arm.
(3.181). In 2.3.14–23 Shakespeare expands that statement into a passage that contains at least three biblical references:” 2.3.15: Thy brother’s blood the thirsty earth hath drunk. (Genesis 4.10–11) 2.3.17: And in the very pangs of death he cried. (Compare 2 Samuel 22.5)
Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. [209] By the time of Romeo and Juliet, Richard II, and A Midsummer Night's Dream in the mid-1590s, Shakespeare had begun to write a more natural poetry. He increasingly tuned his metaphors and images to the needs of ...
Press illustration of act 3, scene 2, as staged in the original production. Scene 1: Laurent's cell. Roméo and Juliette, accompanied by Gertrude, go to the cell, and the wedding takes place. Laurent hopes that reconciliation between the houses of the Montagus and the Capulets may thus take place. Scene 2: a street near Capulet's palace
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
In 1968 the part of Benvolio was played by Bruce Robinson in Romeo and Juliet. In the 1996 version of Romeo and Juliet, the actor who played Benvolio was Dash Mihok. In the 2001 French musical Roméo et Juliette: de la Haine à l'Amour, the role was originated by Grégori Baquet. In the 2013 version of Romeo and Juliet, the actor who played ...