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Sacred Harp singing is a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South. The name is derived from The Sacred Harp, a ubiquitous and historically important tunebook printed in shape notes. The work was first published in 1844 and has reappeared in multiple editions ...
These recordings were edited by George Pullen Jackson and published by the Library of Congress. [2] In 1959, Lomax returned to Alabama to record the 56th convention of the United Sacred Harp Musical Association in Fyffe. This recording is variously credited to either the "United Sacred Harp Convention" or "Alabama Sacred Harp Singers". [3]
Most notably, throughout, Ctrl features old recordings of Sacred Harp singing, an historical tradition of sacred choral music from the Southern United States related to Shape note singing. Sacred Harp is characterized by direct, expressive and sometimes brash voices in 4-part harmony.
The Sacred Harp is a shape note tunebook, originally compiled in 1844 by Benjamin Franklin White and Elisha J. King in Georgia and used to this day in revised form by Sacred Harp singers throughout America and overseas. This article is a historical overview and listing of the composers and poets who wrote the songs and texts of The Sacred Harp.
In 1850, he issued a second edition of The Sacred Harp, adding 97 songs and 103 pages. With the 1850 and future editions, White was assisted by a musical committee appointed by the Southern Musical Convention. In 1859, a third edition of The Sacred Harp was released, adding 74 more songs on 63 pages. A fourth edition came out in 1869.
The National Recording Registry is a list of sound recordings that "are culturally, historically, ... United Sacred Harp Musical Convention in Fyffe, Alabama
Of these, two, "Sacred Mount" and "Soar Away", first appeared in the 1936 Denson Revision of the Original Sacred Harp. He also keyed many singings, and may be heard in this role on a recording of the 1959 United Convention which took place in Fyffe, Alabama.
In just two years, J. L. White made three attempts to revise the Sacred Harp in a manner that would satisfy Sacred Harp singers. With the exception of the added gospel songs in close harmony, this 1911 "White Book" is the most traditional of the three early 20th century revisions of the Sacred Harp, reprinting the 1870 book almost "verbatim ...