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Andrea Amati was succeeded by his sons Antonio Amati (c. 1537 –1607) and Girolamo Amati (c. 1551 –1630). "The Brothers Amati", as they were known, implemented far-reaching innovations in design, including the perfection of the shape of the f-holes .
Andrea Amati (ca. 1505 - 1577, Cremona) was a luthier, from Cremona, Italy. [1] [2] Amati is credited with making the first instruments of the violin family that are in the form we use today. [3] Several of his instruments survive to the present day, and some of them can still be played.
Born in Cremona, Girolamo was the youngest son of Andrea Amati and brother of Antonio Amati. Girolamo worked, probably from 1575, with his brother, in his father's workshop. With the latter, he refined his construction technique and style. For about ten years, they co-signed their works with their Latinized names: "Antonius & Hieronymus Amati".
Born in Cremona, Andrea Amati's son and Girolamo Amati's brother, Antonio worked first with his father, then with his brother, in the same workshop. With the latter, he refined his construction technique and style. For about ten years, they co-signed their works with their Latinized names: "Antonius & Hieronymus Amati"
Andrea Amati; Nicolò Amati; Antonio Amati & Girolamo Amati; Tommaso Balestrieri; Carlo Bergonzi; Camillo Camilli; Goffredo Cappa; Enrico Ceruti; Giovanni Battista Ceruti; Georges Chanot III; Charles Jean Baptiste Collin-Mezin; Joseph Contreras; Giovan Giacomo Dalla Corna; Gasparo Duiffopruggar; Richard Duke; Joan Maria da Bressa; Charles ...
Andrea Guarneri (c. 1626 – 7 December 1698) was an apprentice in the workshop of Nicolò Amati from 1641 to 1646 and returned to make violins for Amati from 1650 to 1654. His early instruments are generally based on the "Grand Amati" pattern but struggled to achieve the sophistication of Amati's own instruments.