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A Jester (Black&White - Chess color) Charles J Noke 1924 1938 HN617 A Shepherd HN618 HN619 HN620 HN621 Pan on Rock HN622 HN623 An Old King HN624 HN625 A Spook H. Tittensor HN626 Lady With Shawl HN627 HN628 The Crinoline HN629 HN630 HN631 HN632 HN633 HN634 Japanese Lady H. Tittensor 1924 1936 HN635 Harlequinade - Gold Variation HN636 HN637 HN638
One of them is an oxblood red used on large decorative bowls and vases. He experimented with that glaze in odd moments over a period of a dozen or fifteen years. The color comes out in the kiln. By control of heat he controlled the behavior of the coloring. Another unique glaze he produced was a Persian blue, a turquoise blue with pebble effect.
Noke's early career at Doulton was spent modelling and decorating pieces to be displayed at exhibitions around the world, most notably the Chicago World Fair in 1893. It was Noke's ambition to rival the other major pottery manufacturers of the day and Doulton mounted an extensive display of large, ornate and highly decorated vases and plates. [2]
From 1853 to 1901, its wares were marked Doulton & Co., then from 1901, when a royal warrant was given, Royal Doulton. It always made some more decorative wares, initially still mostly stoneware, and from the 1860s, the firm made considerable efforts to get a reputation for design, in which it was largely successful, as one of the first British ...
She painted ceramics for Royal Doulton. [5] [6] Her Waratah cup and saucer was part of their first commercially successful Australian design and was used by writer Miles Franklin who reportedly gave guests turns to use it. [6] Being a free-lance artist, Shorter was not paid for her design, but given a large Edward Raby vase instead. [7]
At Doulton, he produced vases, jugs, humorous figures and animals and larger pieces. Through his engagement with Doulton, Tinworth also designed an altarpiece , a pulpit and a font for St. Alban's Anglican Church which was consecrated in 1887 in Copenhagen , Denmark.