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The Wild Robot is a 2024 American animated science fiction film produced by DreamWorks Animation and distributed by Universal Pictures.Based on the 2016 novel of the same name by Peter Brown, it was written for the screen and directed by Chris Sanders and features the voices of Lupita Nyong'o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O'Hara, Matt Berry, and ...
Monsters vs. Aliens is a 2009 American animated science fiction action comedy film produced by DreamWorks Animation and distributed by Paramount Pictures. [5] The film was directed by Conrad Vernon and Rob Letterman from a screenplay written by Letterman, Maya Forbes, Wallace Wolodarsky, and the writing team of Jonathan Aibel and Glenn Berger based on a story by Vernon and Letterman.
The following is a list of productions produced by DreamWorks Animation, a division of NBCUniversal, which includes animated feature films, shorts, specials, and television series. As of 2025, DreamWorks Animation has released 49 feature films, with their first being Antz on October 2, 1998, and their latest being The Wild Robot on September 27 ...
As the footage concludes, Roz asserts, “This is my home and I am a Wild Robot.” The voice cast also includes Pedro Pascal, Catherine O’Hara, Bill Nighy, Kit Connor, Stephanie Hsu and Mark ...
Audiences will get the opportunity to preview footage from DreamWorks Animation’s upcoming animated feature “The Wild Robot” at the Annecy International Film Festival. The studio, which is ...
As you can tell, robots come in many forms, and that includes creepy robotic dolls. The 2022 horror movie M3GAN stars Allison Williams as an engineer at a toy company who creates an AI doll. Prior ...
Invasion America is a 1998 American animated science fiction television series that aired in the prime time lineup on The WB. Produced by DreamWorks Television Animation (then part of DreamWorks proper, now owned by Universal Studios ), the series was created by Steven Spielberg and Harve Bennett , who also served as executive producers .
Each rendered piece had to look like real metal, shiny or dull. This was difficult to model because the aged and scarred robots had to transform from clean cars. Close-up shots of the robots were sped up to look "cool", but in wide shots the animation was slowed down to convincingly illustrate a sense of weight. Photographs were taken of each set.