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On 27 June 1936, the Dobama Song was declared as the national anthem of Burma at the second conference of Dobama Asiayon held in Myingyan. [6] Since then, Burmese nationalist sang Dobama Song instead of God Save the King. The State of Burma, a Japanese puppet state, officially adopted the Dobama Song as its state anthem in 1943. [7]
Classical music was also introduced during the British occupation. Cult folk musician Nick Drake was born in Burma during British rule. Rock music, called stereo in Burmese, has been a popular form of music since the 1980s, having been introduced in the 1960s. [10] Pop music emerged in the 1970s and was banned by state-run radio stations.
The song contains a description of Thingyan sense on Mandalay Hill and Nandar Lake. The song was selected as one of the greatest Thingyan theme songs of all time. [2] [3] Since "Man Taung Yeik Kho" song was a national legacy song of Thingyan festival, as the saying goes, "Thingyan will not be complete without Man Taung Yeik Kho ". [4]
The party's song, Myanmar Kaba Ma Kyei ("Till The End of the World, Burma") also became the country's first national song and eventually its national anthem. Composed by Saya Tin (later known as "Thakhin Tin"), the song was a national symbol during the Japanese occupation of Burma and was adopted in 1948 upon the achievement of independence.
Copy thachin, or simply "copy music" is a genre of music in Myanmar that originates from the early 1980s. It merges the melody and instrumentals of international songs with Burmese vocals. Proponents of copy thachin argue that the style is separate from cover songs due to it having unique vocal arrangements and lyrics.
Kyo songs, which literally means "string," were used as repertoire to teach traditional classical singing and the saung. [5] The oldest songs of the kyo genre are the "Three Barge Songs," which describe a king's passage up the Irrawaddy River to Tagaung in c. 1370, have variously been dated to the late Toungoo period (1531-1752). [6]
Naing Myanmar (Burmese: နိုင်မြန်မာ; born 1956/1957 [1]) is a Burmese musician notable for writing "Kabar Ma Kyay Buu " (Burmese: ကမ္ဘာမကြေဘူး), a protest song used during Myanmar's 8888 Uprising and again throughout the 2021 Myanmar coup d'état.
The greeting mingalaba is a relatively modern creation. The phrase first emerged during British rule in Burma in the 19th to 20th centuries, coined as a Burmese language equivalent to 'hello' or 'how are you.' [4] In the late 1960s, [5] the Burmese government institutionalized the phrase in the country's educational system.