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The Monuments Men is a 2014 war film directed by George ... [16] and a trailer was released on August 8 ... The Monuments Men is a movie about aspiration, about ...
The Monuments Men: James Granger [85] The Man Who Saved the World: Himself Documentary [86] Interstellar: Dr. Mann [87] 2015 The Martian: Mark Watney [88] 2016 Manchester by the Sea — Producer [89] Jason Bourne: Jason Bourne: Also producer [11] The Great Wall: William Garin [90] 2017 Bending the Arc — Documentary; executive producer [91 ...
The Monuments, Fine Arts, and Archives program is the subject of the 2014 Sony Pictures and 20th Century Fox film The Monuments Men. The film, which stars George Clooney, Matt Damon, Jean Dujardin, Cate Blanchett, and John Goodman, is based on Robert M. Edsel's New York Times best-selling 2007 book Monuments Men: Allied Heroes, Nazi Thieves and ...
As Monuments Men opens this week with an all-star cast led by George Clooney and Matt Damon, so does an exhibit dedicated to the Monuments Men at Kansas City's Nelson-Atkins Museum of Art.
New York - Hollywood's A-List turned out in full fashionable force to celebrate The Monuments Men premiere this week signing autographs, posing with fans and braving freezing New York City ...
Valland, who inspired the role played by Cate Blanchett in the “The Monuments Men” movie, died at 81 in 1980. Edsel said the last working WWII-era monuments officer was a woman.
Robert Morse Edsel [1] (born December 28, 1956) is an American businessman and author. He has written three non-fiction books - Rescuing Da Vinci (2006), Monuments Men: Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History (2007); and Saving Italy (2013) - chronicling the recovery of artwork stolen by Nazi Germany during World War II.
The Monuments Men is Desplat's second collaboration with Clooney as a director, after previously working on The Ides of March (2011). [1] [2] When Clooney offered him the script, Desplat felt excited as it reflected the scores of Maurice Jarre and Elmer Bernstein from the 1950s and 1960s, adding that Clooney wanted the film to reflect the timeline instead of making an epic war film. [3]