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Arabic Melody for cello and piano, Op. 4 No. 5; from Five Romances (songs) (1882–85) Elegy in D flat major for cello and piano (Une Pensee a F. Liszt), Op. 17 (1888) Two Pieces for cello and piano, Op. 20A (1888) (Melodie; Spanish Serenade) Chant du Ménestrel for cello and piano, Op. 71 (1900) Reinhold Glière. Ballade
Concertino for cello, piano and orchestra (2004) Concerto for cello and chamber orchestra (2009) Lamento for cello and string orchestra (2012) Harald Genzmer. Cello Concerto (1950) Concerto for Cello and Winds (1969) Friedrich Gernsheim. Cello Concerto in E minor, Op. 78 (1907) Stefano Gervasoni. Heur, leurre,leuer for cello and orchestra (2013)
This is a compilation of pieces for cello and pipe organ. See also the entries on cello and the List of compositions for cello and orchestra, List of compositions for cello and piano and List of solo cello pieces. Ordering is by surname of composer.
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The hymn appears as number 46 in the Seventh-day Adventist Hymnal and number 165 of the hymnbook of The Church of Jesus Christ of Latter-day Saints.. It has also been published in the 1978 Hymns of Praise edited by Reuel Lemmons; the 1971 Songs of the Church and the 1990 Songs of the Church 21st Century Edition both edited by Alton H. Howard; both the 1978 and 1983 Church Gospel Songs and ...
O Thou who changest not, abide with me. Not a brief glance I beg, a passing word, But as Thou dwell'st with Thy disciples, Lord, Familiar, condescending, patient, free. Come not to sojourn, but abide with me. Come not in terror, as the King of kings, But kind and good, with healing in Thy wings; Tears for all woes, a heart for every plea.
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, Felix Mendelssohn, Fryderyk Chopin, and ...
The eight volumes of Songs Without Words, each consisting of six songs (), were written at various points throughout Mendelssohn's life and published separately.The piano became increasingly popular in Europe during the early nineteenth century, when it became a standard item in many middle-class households.