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The art of Mesopotamia has survived in the record from early hunter-gatherer societies (8th millennium BC) on to the Bronze Age cultures of the Sumerian, Akkadian, Babylonian and Assyrian empires. These empires were later replaced in the Iron Age by the Neo-Assyrian and Neo-Babylonian empires.
The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old-Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions.
Bucket and cone refer to twin attributes that are frequently held in the hands of winged genies depicted in the art of Mesopotamia, and within the context of Ancient Mesopotamian religion. The iconography is particularly frequent in art from the Neo-Assyrian Empire (911–605 BCE), and especially Assyrian palace reliefs from this period
Sumerian dignitary, Uruk, circa 3300-3000 BCE. National Museum of Iraq. [3] [4] Fragment of a Bull Figurine from Uruk, c. 3000 BCEVotive sculptures in the form of small animal figurines have been found at Uruk, using a style mixing naturalistic and abstract elements in order to capture the spiritual essence of the animal, rather than depicting an entirely anatomically accurate figure.
Mesopotamian deity sitting on a stool, holding the rod-and-ring symbol. Old-Babylonian fired clay plaque from Southern Mesopotamia, Iraq. The rod-and-ring symbol is a symbol that is depicted on Mesopotamian stelas, cylinder seals, and reliefs. It is held by a god or goddess and in most cases is being offered to a king who is standing, often ...
This period denotes a higher use of ceramics than with the pre-proto-Hassuna period. [6] The site of Umm Dabaghiyah (de:Umm Dabaghiyah-Sotto-Kultur), in the same area of Iraq, is believed to have the earliest pottery in this region, and is sometimes described as a 'Proto-Hassuna culture' site. Other related sites in the area are Sotto and Yarim ...
Babylonian kudurru of the late Kassite period found near Baghdad by the French botanist André Michaux (Cabinet des Médailles, Paris). A kudurru was a type of stone document used as a boundary stone and as a record of land grants to vassals by the Kassites and later dynasties in ancient Babylonia between the 16th and 7th centuries BC.
Foundation figures were ritualistic works of art from the Early Dynastic period that were used in the construction of ancient Mesopotamian temples. Foundation pegs first appeared in ancient Sumer around the third millennium BCE. [1] Stylized as anthropomorphic nails, foundation figures were symbolically used to mark the grounds of a temple. [2]