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Toga candida: "Bright toga"; a toga rubbed with chalk to a dazzling white, worn by candidates (from Latin candida, "pure white") for public office. [11] Thus Persius speaks of a cretata ambitio, "chalked ambition". Toga candida is the etymological source of the word candidate. Toga pulla: a "dark toga" was supposed to be worn by mourners at ...
The toga was considered Rome's "national costume," privileged to Roman citizens but for day-to-day activities most Romans preferred more casual, practical and comfortable clothing; the tunic, in various forms, was the basic garment for all classes, both sexes and most occupations. It was usually made of linen, and was augmented as necessary ...
Trabea (pl.: trabeae) is the name of various pieces of Roman clothing. A distinct feature of all trabeae was their color – usually red or purple.They were formed like a toga and possibly in some cases like a mantle and worn by more distinguished members of Roman society.
The stola (Classical Latin: [ˈst̪ɔ.ɫ̪a]) (pl. stolae) was the traditional garment of Roman women, corresponding to the toga that was worn by men. [1] It was also called vestis longa in Latin literary sources, [ 2 ] pointing to its length.
In the early stages of the Byzantine Empire the traditional Roman toga was still used as very formal or official dress. By Justinian's time this had been replaced by the tunica , or long chiton , for both sexes, over which the upper classes wore other garments, like a dalmatica ( dalmatic ), a heavier and shorter type of tunica, again worn by ...
Nonius Marcellus quotes a passage of Varro to show that it was a garment worn by soldiers (vestis militaris), and thus opposed to the toga. Roman women also wore a version of the abolla by at least the imperial period. [1] The abolla was, however, not confined to military occasions, but was also worn in the city. [2]
Over the course of ancient Roman history, the angusticlavia lost its symbolic meaning and class association. Wall paintings and other representations of the Roman past "show all types of men and boys wearing stripes of similar width – but there were later attempts to enforce or reintroduce the senatorial and equestrian classes".
Bronze monument to Francis II, the last Holy Roman emperor, wearing a corona triumphalis and toga. The honours included the right to wear triumphal dress in public: the corona triumphalis (a gold coronet fashioned in the shape of a laurel wreath with dangling gold ribbons); an ivory baton; the tunica palmata (a tunic embroidered with palm-leaves); and the toga picta ("painted toga"), a toga ...