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Mallet bag showing variety of mallets. A percussion mallet or beater is an object used to strike or beat a percussion instrument to produce its sound. The term beater is slightly more general. A mallet is normally held in the hand while a beater may be a foot or mechanically operated, for example in a bass drum pedal. The term drum stick is ...
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion: Each list is alphabetical.
The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets Xylorimba: Pitched 111.212 Idiophone Yanggeum: Korea Pitched Chordophone A type of Hammer dulcimer Yangqin: China Pitched Chordophone Type of hammered dulcimer. Yuka: Congo Unpitched Membranophone
Mallets suitable for the vibraphone are also generally suitable for the marimba. [19] The mallets can have a great effect on the timbre, ranging from a bright metallic clang to a mellow ring with no obvious initial attack. Consequently, a wide array of mallets is available, offering variations in hardness, head size, weight, shaft length and ...
Non-metal mallets are used for general playing, while metal mallets produce a more brilliant sound. Rubber mallets may be used for a warmer sound, although rubber that is too soft may struggle to excite the metal bars. Playing chords on a glockenspiel can be done with four mallets using a grip such as Stevens technique.
Latin Percussion vibraslap showing metal teeth. The vibraslap is a percussion instrument consisting of a piece of stiff wire (bent into a U-shape) connecting a wooden ball to a hollow box of wood with metal "teeth" inside. The percussionist holds the metal wire in one hand and strikes the ball (usually against the palm of their other hand).
Five mallets in use on a vibraphone. In percussion, grip refers to the manner in which the player holds the sticks or mallets, whether drum sticks or other mallets.. For some instruments, such as triangles and large gongs, only one mallet or beater is normally used, held either in one hand or in both hands for larger beaters.
The mallets used to play dibinda and mbila have heads made from natural rubber taken from a wild creeping plant. [10] " Interlocking" or alternating rhythm features in Eastern African xylophone music such as that of the Makonde dimbila , the Yao mangolongondo or the Shirima mangwilo in which the opachera , the initial caller , is responded to ...