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Freud came to a conclusion about the meaning and intention of the dream using his analysis. He believed that the dream fulfilled several wishes and that it represented a particular situation that he might have wished to exist in. Freud concluded that the motive of the dream was a wish and the content of the dream was a wish fulfillment.
Topics covered include: causes of the fear of death, why Spiritists do not fear death, heaven, the Christian hell imitated from the pagan one, limbo, purgatory, doctrine of eternal punishments, penal code of the afterlife, angels, the origin of the belief in demons. [74]
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On Divination in Sleep (or On Prophesying by Dreams; Ancient Greek: Περὶ τῆς καθ᾽ ὕπνον μαντικῆς; Latin: De divinatione per somnum) is a text by Aristotle in which he discusses precognitive dreams. The treatise, one of the Parva Naturalia, is an early inquiry (perhaps the first formal one) into this phenomenon. In ...
Canon 22 states, "so that after spiritual health (through practices of the good death) has been restored to them (the dying person), the application of bodily medicine may be of greater benefit, for the cause being removed the effect will pass away." [21] For those who embraced the scholasticism approach, one's personal sin mattered little.
Many dream-enhancing plants such as dream herb (Calea zacatechichi) and African dream herb (Entada rheedii), as well as the hallucinogenic diviner's sage (Salvia divinorum), have been used for thousands of years in a form of divination through dreams, called oneiromancy, in which practitioners seek to receive psychic or prophetic information ...
The Encyclopedia of Dreams: Symbols and Interpretations. Crossroad Publishing Company, 1993. Second edition: Berkley Pub Group, 1995. ISBN 0-425-14788-6. The Complete Vampire Companion. Macmillan Publishers, 1994. ISBN 0-671-85024-5. With J.B. Macabre. Angels of Mercy. Pocket Books, 1994. ISBN 0-671-77094-2. Atlas of the Mysterious in North ...
Memento mori (Latin for "remember (that you have) to die") [2] is an artistic or symbolic trope acting as a reminder of the inevitability of death. [2] The concept has its roots in the philosophers of classical antiquity and Christianity , and appeared in funerary art and architecture from the medieval period onwards.