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"The Winner Takes It All" is a song recorded by Swedish pop group ABBA. Released as the first single from the group's seventh studio album, Super Trouper (1980), it is a ballad in the key of G-flat major, reflecting on the end of a relationship. The single's B-side was the non-album track "Elaine". The song peaked at No.1 in several countries ...
"Winner Takes It All " is a 1987 rock song written by record producer Giorgio Moroder and Thomas Whitlock and recorded by Sammy Hagar. Originally was included in the soundtrack of the Sylvester Stallone movie Over the Top, being the first track and second single from the album, released through CBS Records.
A song recorded in 1980 and released as B-side "The Winner Takes It All" single. "Put on Your White Sombrero" A song based on waltz with a Latin American sound recorded in 1980 with lead vocal by Lyngstad. The track was replaced at a late stage by this album's title track, "Super Trouper".
"Elaine" is a song recorded by Swedish pop group ABBA. It was used as the B-side to the 1980 single "The Winner Takes It All".It was not included on any of their original albums but was later included as a bonus track on the 2001 reissue of Super Trouper.
Sylvester Stallone appears in the video for "Winner Takes It All", arm-wrestling Hagar. Hagar says in his video commentary on the DVD The Long Road to Cabo that he was unenthusiastic about the song. Hagar says that Stallone gave him his black cap at the end of the shoot, both signed it, and the cap went to charity, fetching around $10,000.
Sammy Hagar, also known as the Red Rocker, is an American musician and songwriter with a music career spanning over 40 years. [1] He rose to prominence during the early 1970s as the lead vocalist of the hard rock band Montrose, which was his first band and debut into music.
Anora took home the top prize at the 2025 Critics Choice Awards. On Friday, Feb. 7, writer-director Sean Baker took the stage in Los Angeles to accept the best picture win, beating out fellow ...
It was the song "The Winner Takes It All" that suggested to her the theatrical potential of their pop songs. [3] Though unenthusiastic, the duo were not completely opposed to the idea. [3] In 1997, Craymer commissioned Catherine Johnson to write the book for the musical. In 1998, Phyllida Lloyd became the director for the show. [3]