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"Old Time's Sake" is a song by American rapper Eminem featuring fellow American rapper and producer Dr. Dre, and the only promotional single from the former's Relapse (2009). [ 1 ] Background
Consequently, "For auld lang syne", as it appears in the first line of the chorus, might be loosely translated as "for the sake of old times". The phrase "Auld Lang Syne" is also used in similar poems by Robert Ayton (1570–1638), Allan Ramsay (1686–1757), and James Watson (1711), as well as older folk songs predating Burns.
Here's what to know about the lyrics, meaning, and origin of the Scottish song. ... on a more fluid definition along the lines of "for old time's sake" or "the olden days." ... that the poem was ...
Rock Me Tonight is the platinum-selling 1985 debut album from American R&B/Soul singer Freddie Jackson.Released on April 28, 1985, the album yielded four top-10 singles on the U.S. R&B chart, with the first two, "You Are My Lady" and "Rock Me Tonight (For Old Times Sake)", reaching number one.
"For Ol' Times Sake'" is a song by Tony Joe White, covered in 1973 by Elvis Presley. It was written by Tony Joe White , who originally released it on his 1973 album Homemade Ice Cream . His other songs covered by Presley are " Polk Salad Annie " and " I've Got a Thing About You Baby ".
"Rock Me Tonight (For Old Times Sake)" is the debut single for Harlem-born R&B/soul singer Freddie Jackson. Taken from the namesake debut title album, Rock Me Tonight , the popular ballad was written and produced by Paul Laurence . [ 1 ]
"We Made You" has generally positive reviews from music critics. Daniel Kreps of Rolling Stone magazine gave it a positive review stating, "It's nice to see Eminem goofing around again after a few years out of the spotlight during which he grappled with serious issues like the death of his friend Proof, and 'We Made You' with its damnation of current celebrities will likely prove to be a solid ...
Above the Rim – The Soundtrack is the official soundtrack to the 1994 film of the same name.The soundtrack, released by Death Row and Interscope Records on March 22, 1994, was executive produced by Suge Knight.