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The first of Haydn’s keyboard works to be conceived with the dynamic contrasts only possible with a touch sensitive keyboard e.g. clavichord or fortepiano rather than harpsichord. Published 1780 in Vienna by Artaria as one of a set of 6 sonatas dedicated to Katherina & Marianna Auenbrugger
C major 2 violins, cello, bass, 2 oboes, 2 trumpets, timpani and organ (Score/Crit. report) Allegro 15 K.328/317c 1779 C major 2 violins, organ, cello and bass (Score/Crit. report) Allegro 16 K.329/317a 1779, March C major 2 violins, cello, bass, 2 oboes, 2 horns, 2 trumpets, timpani and organ (Score/Crit. report) Allegro 17 K.336/336d 1780 C major
Domenico Scarlatti: The Keyboard Sonatas – Lists at Classical.net, sorted by Longo, Kirkpatrick or Pestelli numbers or key, time signature; Scarlatti Domenico: Catalogue; lists original sources for more than 600 keyboard sonatas including many not listed in this article; newly discovered ones and doubtful ones; other lists such as Fadini's edition.
Sonata in C for Keyboard, Violoncello and Violin (or Flute), K. 14 (1764) Sonata in B-flat for Keyboard, Violoncello and Violin (or Flute), K. 15 (1764) Violin Sonatas, KV 26–31 (1766) Sonata in E-flat for Keyboard and Violin, K. 26 (1766) Sonata in G for Keyboard and Violin, K. 27 (1766) Sonata in C for Keyboard and Violin, K. 28 (1766)
Although various composers in the 17th century had written keyboard pieces which they entitled "Sonata", it was only in the classical era, when the piano displaced the earlier harpsichord and sonata form rose to prominence as a principle of musical composition, that the term "piano sonata" acquired a definite meaning and a characteristic form.
In music, a sonata (/ s ə ˈ n ɑː t ə /; pl. sonate) [a] literally means a piece played as opposed to a cantata (Latin and Italian cantare, "to sing"), a piece sung. [1]: 17 The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance.
The very end of the movement which Mozart wrote, an F major coda, was misplaced in the autograph but appears in the 1784 publication. This key is F major, the subdominant of C major. After the A section is heard, the music then modulates to the B section in the parallel key of F minor, and its relative key (A-flat major). The movement then ...
The Piano Concertos, K. 107 are three keyboard concertos by Wolfgang Amadeus Mozart, based on sonatas by Johann Christian Bach.These sonatas are from J.C. Bach's Op. 5; Mozart turned Sonata No. 2 in D, Sonata No. 3 in G, and Sonata No. 4 in E ♭ from this set into the three concertos of K. 107.