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The Liebeslieder Waltzes are a collection of love songs written in a popular style that do not lose Brahms' compositional complexity. [8] Scored for piano four hands and voices ad libitum, the piece can easily accommodate many different sized ensembles.
The original songs are clearly recognisable in these string quartet arrangements, with melodic line, rhythm and harmony unchanged. For No.11, Dvořák changed the key, and half of them he extended by repetition, mostly with some interchange of allocation of lines to the different instruments. [4] The pieces are as follows: [5]
A-flat major was the flattest major key to be used as the home key for the keyboard and piano sonatas of Domenico Scarlatti, Joseph Haydn and Ludwig van Beethoven, with each of them using the key for two sonatas: Scarlatti's K. 127 and K. 130, Haydn's Hob XVI 43 and 46, and Beethoven's Op. 26 and Op. 110, while Franz Schubert used it for one ...
56. “I’ll Cover You” By Jesse L. Martin And Wilson Jermaine Heredia (2005) Yes, Rent has A LOT of great hits, but this duet with Tom (Martin) and Angel (Heredia) is a top tier in our book ...
1. “Cheek to Cheek" by Fred Astaire (1935) While we adore Lady Gaga and Tony Bennett's rendition (or even Ella Fitzgerald and Louis Armstrong's), we can't stop playing the original hit.
"Moody's Mood for Love" (a.k.a. Moody's Mood) is a 1952 song by Eddie Jefferson, whose melody is derived from an improvised solo by jazz saxophonist James Moody (and a brief solo in the middle by pianist Thore Swanerud) on a 1949 recording of the 1935 song "I'm in the Mood for Love". [1] The song is structured as a duet, with a man proclaiming ...