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  2. Boss Corporation - Wikipedia

    en.wikipedia.org/wiki/Boss_Corporation

    The Super OverDrive was released in 1981 as Boss's second overdrive pedal, adding a tone control to the earlier OD-1 design, while continuing to replicate the sound of tube amp-style overdrive [15] via an asymmetrical clipping circuit and an inherent midrange-focus, but with less bass roll-off. [10]

  3. List of distortion pedals - Wikipedia

    en.wikipedia.org/wiki/List_of_distortion_pedals

    With the MT-2, Boss sought to appeal to that market with an improved pedal as death metal's popularity surged. [26] The pedal's thick, saturated, tight tone [22] and the extreme sounds the pedal was able to produce thanks to its powerful EQ controls made the MT-2 divisive both upon its release and throughout its ongoing production. [26]

  4. Ikutaro Kakehashi - Wikipedia

    en.wikipedia.org/wiki/Ikutaro_Kakehashi

    Kakehashi founded Ace Tone in 1960 to produce electronic organs and early drum machines. He founded Roland in 1972 and was involved in the development of various influential electronic instruments, such as the TR-808 and TR-909 drum machines and the TB-303 and Juno-60 synthesizers, in addition to Boss guitar amplifiers and effects pedals.

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  6. Ace Tone - Wikipedia

    en.wikipedia.org/wiki/Ace_Tone

    Ace Electronic Industries Inc., or Ace Tone, was a manufacturer of electronic musical instruments, including electronic organs, analogue drum machines, and electronic drums, as well as amplifiers and effects pedals.

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  8. Klon Centaur - Wikipedia

    en.wikipedia.org/wiki/Klon_Centaur

    Original Klon Centaur. The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume.

  9. Tonic (music) - Wikipedia

    en.wikipedia.org/wiki/Tonic_(music)

    In music of the common practice period, the tonic center was the most important of all the different tone centers which a composer used in a piece of music, with most pieces beginning and ending on the tonic, usually modulating to the dominant (the fifth scale degree above the tonic, or the fourth below it) in between.