Search results
Results From The WOW.Com Content Network
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
"Birches" is a poem by American poet Robert Frost. First published in the August 1915 issue of The Atlantic Monthly together with "The Road Not Taken" and "The Sound of Trees" as "A Group of Poems". It was included in Frost's third collection of poetry Mountain Interval, which was published in 1916.
Selected Poems (1923) Mountain Interval is a 1916 poetry collection written by American poet Robert Frost . Published by Henry Holt , it is Frost's third poetic volume.
The Road Not Taken (poem) → The Road Not Taken – This was moved in February 2009 without discussion. This is one of Frost's most famous poems so it should not be ambiguous. Marcus Qwertyus 08:16, 22 October 2012 (UTC) Support. I wondered why it was not at that title already. ---The Old Jacobite The '45 12:37, 22 October 2012 (UTC)
The poem uses figurative language including onomatopoeia, alliteration, imagery, and many others. Harold Bloom noted that it is "one of Frost's most respected poems, but it has not received the same depth of critical attention and explication as poems such as ' The Road Not Taken ' and ' Stopping by Woods on a Snowy Evening .'" [ 5 ]
The Road Not Taken, a 1989 album by Shenandoah "The Road Not Taken", a song from the album Scenes from the Southside by Bruce Hornsby "The Road Not Taken", an adaptation of Frost's poem from the album Leverage by Lyriel
North of Boston is a poetry collection by Robert Frost, first published in 1914 by David Nutt, in London. Most of the poems resemble short dramas or dialogues. It is also called a book of people because most of the poems deal with New England themes and Yankee farmers. Ezra Pound wrote a review of this collection in 1914. Despite it being ...
John A. Rea wrote about the poem's "alliterative symmetry", citing as examples the second line's "hardest – hue – hold" and the seventh's "dawn – down – day"; he also points out how the "stressed vowel nuclei also contribute strongly to the structure of the poem" since the back round diphthongs bind the lines of the poem's first ...