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The Dark Corner is a 1946 American crime film noir directed by Henry Hathaway and starring Lucille Ball, Clifton Webb, William Bendix and Mark Stevens. [2] The film was not a commercial success but has since been described as a "Grade A example of film noir ."
Murder by Contract is a 1958 American film noir crime film directed by Irving Lerner. Academy Award-nominated screenwriter Ben Maddow did uncredited work on the film. Centering on an existentialist hit man assigned to kill a woman, the film is often praised for its spare style [1] and peculiar sense of cool.
The tone of film noir is generally regarded as downbeat; some critics experience it as darker still—"overwhelmingly black", according to Robert Ottoson. [223] Influential critic (and filmmaker) Paul Schrader wrote in a seminal 1972 essay that "film noir is defined by tone", a tone he seems to perceive as "hopeless". [224]
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
Woman on the Run is a 1950 American crime film noir directed by Norman Foster and starring Ann Sheridan and Dennis O'Keefe. [1] The film was based on the April 1948 short story "Man on the Run" by Sylvia Tate. The film exists in the public domain and was restored and preserved by the UCLA Film and Television Archive.
Backfire is a 1950 American film noir crime film directed by Vincent Sherman starring Virginia Mayo and Gordon MacRae, with Edmond O'Brien, Dane Clark, and Viveca Lindfors in support. The film was written by Larry Marcus, Ben Roberts and Ivan Goff. Goff and Roberts would go on to write White Heat the following year, a film that also stars O ...
Please Murder Me! is a 1956 American film noir directed by Peter Godfrey and starring Angela Lansbury, Raymond Burr and Dick Foran. [1] [2] [3] The film contains an incomplete copyright notice omitting mention of its claimant and has fallen into the public domain.
The Guilty is a 1947 American film noir directed by John Reinhardt, based on Cornell Woolrich's short story "He Looked Like Murder". The film was produced by oil millionaire Jack Wrather , the husband of lead actress Bonita Granville .