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Canadian anthropologist Wilson Duff quotes Simon Fraser, who (upon observation of the Coast Salish homes on the banks of the now-named Fraser River) wrote in his 1800 journal; "as an excellent house 46 × 32 and constructed like American frame houses; the planks are three to 4 inches thick, each plank overlapping the adjoining one a couple of inches; the post, which is very strong and crudely ...
Indigenous People of the Northwest Coast constructed massive plank longhouses, often measuring up to 100 feet long and 25 feet wide. The walls of these longhouses were made from stacked planks of cedar wood, which were cut using beaver teeth and stone axes. [ 5 ]
A number of methods were used to form the wooden walls and the types of structural carpentry are often defined by the wall, floor, and roof construction such as log, timber framed, balloon framed, or stacked plank. Some types of historic houses are called plank houses but plank house has several meanings
A Northwest Coast longhouse at the Museum of Anthropology at the University of British Columbia Interior of a Salish Longhouse, British Columbia, 1864. Watercolour by Edward M. Richardson (1810–1874). The indigenous peoples of the Pacific Northwest of North America also built a form of longhouse. Theirs were built with logs or split-log frame ...
During the summer, wood was still collected, but now wood was also cut, from which not only house poles and planks, canoes, totem poles, weapons and tools were made, but also headgear and clothing. In addition, a white-haired dog breed provided the material for blankets, which Simon Fraser met in 1808. [ 10 ]
Carter was a participant during 1940, in the "Art in Action" exhibitions during the 1939–1940 Golden Gate International Exposition (GGIE) on Treasure Island.During that time he became a friend of Diego Rivera, who included Carter three separate times in his mural Marriage of the Artistic Expression of the North and of the South on this Continent and once in the Pan American Unity mural.