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  2. Samuel Joseph Brown Jr. - Wikipedia

    en.wikipedia.org/wiki/Samuel_Joseph_Brown_Jr.

    Brown uses distortion as a naturalistic device to evoke the feeling of pain, anguish, suffering or struggle”. [27] First Lady Eleanor Roosevelt recalled viewing So Tired in her syndicated “My Day” newspaper column a decade later on April 8, 1946, giving it her own title of The Scrub Woman. [2] [3] [28] [29]

  3. Art and emotion - Wikipedia

    en.wikipedia.org/wiki/Art_and_emotion

    This attraction to symmetry was therefore advantageous, as it helped humans recognize danger, food, and mates. Art containing symmetry therefore is typically approached and positively valenced to humans. [4] Another example is to observe paintings or photographs of bright, open landscapes that often evoke a feeling of beauty, relaxation, or ...

  4. Category:Paintings of women - Wikipedia

    en.wikipedia.org/wiki/Category:Paintings_of_women

    The Bar (painting) A Bar at the Folies-Bergère; The Bathers (Renoir) Bathers with a Turtle; The Bathers (Cézanne) Beatrice Hastings in Front of a Door; The Beauty; Beijing 2008 (painting) The Beloved (Rossetti) Berlin Street Scene; Bertha Wegmann Painting a Portrait; Bharat Mata (painting) The Black Brunswicker; Black Woman with Child

  5. Psyche Abandoned (painting) - Wikipedia

    en.wikipedia.org/wiki/Psyche_Abandoned_(painting)

    Psyche Abandoned is a c. 1795 painting by Jacques-Louis David, now in a private collection. It shows Psyche as a crouching female nude in profile against a blue sky with a hill in the background. She stares at the viewer with an expression of loss, pain, and betrayal.

  6. Columbus Museum of Art brings in striking paintings from two ...

    www.aol.com/columbus-museum-art-brings-striking...

    Columbus Museum of Art brings in the stimulating and exciting work of Robin F. Williams and Marie Laurencin, until April 18.

  7. Monomaniac of Envy - Wikipedia

    en.wikipedia.org/wiki/Monomaniac_of_Envy

    Art historians have often emphasized the distinctive facial features of the woman in Monomaniac of Envy, including her "bony cheeks" and "spider veins." [ 8 ] Robert Snell also assigns significance to the leftward direction of the woman's gaze, “which given the Western tendency to read paintings from left to right, seems to make it even ...