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The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
The Dark Tower III: The Waste Lands: Redemption, commonly known simply as The Waste Lands, is a dark fantasy novel by American writer Stephen King. It is the third book of the Dark Tower series. The original limited edition hardcover featuring full-color illustrations by Ned Dameron was published in 1991 by Grant .
Wilson also pointed out some of Eliot's weaknesses as a poet. In regard to The Waste Land, Wilson admits its flaws ("its lack of structural unity"), but concluded, "I doubt whether there is a single other poem of equal length by a contemporary American which displays so high and so varied a mastery of English verse." [102]
However, in 1922, the publication of T. S. Eliot's The Waste Land had become a literary sensation that overshadowed Williams's very different brand of poetic modernism. In his Autobiography, Williams later wrote of "the great catastrophe to our letters—the appearance of T. S. Eliot's The Waste Land." [12] He said,
Critics praised Wasteland for its effective portrayal of a potentially difficult topic, but often found the narrative itself inconsistent. Hazel Rochman of Booklist comments that "A plot surprise at the end seems patched on, and a long quote from T.S. Eliot's "Wasteland" may be beyond many readers.
Salinger quotes a verse from the poem The Waste Land by poet T. S. Eliot in the following exchange between Seymour and Sybil, regarding the little girl's young rival, Sharon Lipschutz: "Ah, Sharon Lipschutz", said the young man. "How that name comes up. Mixing memory and desire." He suddenly got to his feet. He looked at the ocean.
Alan Stewart Paton (11 January 1903 – 12 April 1988) was a South African writer and anti-apartheid activist. His works include the novels Cry, the Beloved Country (1948), Too Late the Phalarope (1953), and the short story The Waste Land.
T. S. Eliot used it symbolically in The Waste Land (1922). Dorothy Hewett took The Chapel Perilous as the title for her autobiographical play, in which she uses "the framework of the Arthurian legend, Sir Lancelot, to create a theatrical quest of romantic and epic proportions." [2]