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Like others of Dowland's lute songs, the piece's musical form and style are based on a dance, in this case the pavan. It was first published in The Second Booke of Songs or Ayres of 2, 4 and 5 parts (London, 1600). The song begins with a falling tear motif, starting on an A and descending to an E by step on the text "Flow, my tears".
An Alien Heat, The Hollow Lands, and The End Of All Songs - Part 1: Spirits Burning & Michael Moorcock: The Dancers at the End of Time: Michael Moorcock: Three albums covering the three books of the trilogy. The Black Halo: Kamelot: Faust: Johann Wolfgang von Goethe: The Black Halo is a concept album based on Faust, Part Two.
"Flowers of Edinburgh" is a traditional fiddle tune, of eighteenth century Scottish lineage. It is also prominent in American fiddle , Canadian fiddle and wherever old time fiddle is cultivated. The tune is also the basis for a Morris Dance , in the Bledington style.
Benjamin Britten's Five Flower Songs, Op. 47, is a set of five part songs to poems in English by four authors which mention flowers, composed for four voices in 1950 as a gift for the 25th wedding anniversary of Leonard and Dorothy Elmhirst.
In Los Angeles, California, "Como la Flor" was the most-played song on Latin music radio stations for three weeks starting from October 13 through the week of October 29, 1992. [Note 2] The song finished 1992 as the 31st-best-performing song on the Hot Latin Songs chart while topping indie music charts in Texas. [64] [65]
Many sources state the song was the work of Joe Perkin (1809–1868), [3] a choirmaster at Holmfirth in the mid 19th century. [4] A local tradition maintained that Perkin lived at Cliffe near Holmfirth, was a woolsorter by profession, and was paid 2 guineas by the Holmfirth Choral Society for arranging the song.
This includes the songs of chansonnier, chanson de geste and Grand chant; court songs of the late Renaissance and early Baroque music periods, air de cour; popular songs from the 17th to 19th century, bergerette, brunette, chanson pour boire, pastourelle, and vaudeville; art song of the romantic era, mélodie; and folk music, chanson populaire ...
The song descends from the "xiǎoqǔ/xiǎodiào" genre, which have the characteristics of being "usually multistanza in form and with uniform phrase structures and equal numbers of words." [10] It has been played on ancient metal bells and modern jade chimes. [7] It uses the five note scale ubiquitous in Chinese music.