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More than simply putting flowers in a container, ikebana is a disciplined art form in which nature and humanity are brought together. Contrary to the idea of a particoloured or multicoloured arrangement of blossoms, ikebana often emphasises other areas of the plant, such as its stems and leaves, and puts emphasis on shape, line, and form.
Ohara Unshin (小原雲心) (1861–1916) started his own Ikebana school in 1895 when Japan opened up its economy to the West and began to import European flowers. The official founding date was in 1912. [1] For the purpose of this art form, he developed shallow, circular, ceramic vases, which became known as the moribana style. [2]
The legend states that a samurai, bored on a hot summer day, threw plant material into the small opening of a tall, deep vase on the opposite corner of the room. Thus this style was named Nageire. [9] This Ikebana form utilizes fresh and spontaneous designs that adhere only loosely to the classical principles of triangular structure and color ...
A small vase (kōji-tate 香筯建), also known as koji-tate (火箸立), keeps the fire utensils (hidōgu 火道具): metal tweezers or tongs (ginyo-basami 銀葉挾) for handling the square mica plates; ebony chopsticks (香筯), for picking up pieces of incense wood; small spatula (香匙), for transferring incense wood onto the mica plate
A tokonoma with a kakemono and ikebana flower arrangement Detailed view of a tokonoma and aspects of a Japanese room View from the side of a tokonoma Tokonoma at Tenryū-ji. A tokonoma (床の間), [1] or simply toko (床), [2] [3] is a recessed space in a Japanese-style reception room, in which items for artistic appreciation are displayed.
Nageirebana (抛入花), later also known as simply nageire (抛入 "thrown in"), is a style of ikebana. ... have the main stem hanging lower than the rim of the vase ...