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The term "clipart" originated from the practice of physically cutting images from pre-existing printed works for use in other publishing projects. Originally called "printer's cuts," "stock cuts" or "electrotype cuts," [1] before the advent of computers in desktop publishing, clip art was used through a process called paste up.
Perforated punch card. The edges of film stock are perforated to allow it to be moved precise distances at a time continuously. Similarly, punched cards for use in looms and later in computers input and output devices in some cases were perforated to ensure correct positioning of the card in the device, and to encode information.
A ticket punch (or control nippers) is a hand tool for permanently marking admission tickets and similar items of paper or card stock. It makes a perforation and a corresponding chad . A ticket punch resembles a hole punch , differing in that the ticket punch has a longer jaw (or "reach") and the option of having a distinctive die shape.
Customers buying restaurant raffle tickets at a 2008 event in Harrisonburg, Virginia A strip of common two-part raffle tickets. A raffle is a gambling competition in which people obtain numbered tickets, each of which has the chance of winning a prize. At a set time, the winners are drawn at random from a container holding a copy of each number.
The Avery logo designed by Saul Bass in 1975 was used exclusively on office products by CCL Industries, which was allowed to license the logo when it purchased Avery Dennison's office products business in July 2013, until it was replaced sometime around the late-2010s with a new visual identity designed by Chermayeff & Geismar & Haviv.
Milton Clark Avery (/ ˈ eɪ v ə r i /; March 7, 1885 – January 3, 1965 [1]) was an American modern painter. Born in Altmar, New York , he moved to Connecticut in 1898 and later to New York City.
The inversion from verb—object to object—verb on which copy and paste are based, where the user selects the object to be operated before initiating the operation, was an innovation crucial for the success of the desktop metaphor as it allowed copy and move operations based on direct manipulation.