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Death in the Afternoon is a non-fiction book written by Ernest Hemingway about the history, ceremony and traditions of Spanish bullfighting, published in 1932. It also contains a deeper contemplation on the nature of fear and courage. While essentially a guide book, there are three main sections: Hemingway's work, pictures, and a glossary of terms.
Lea, also an artist and muralist, did illustrations throughout the book and on the end papers and dust jacket. Prior to, during World War II, and after, Lea was an artist, and not an author. He went to Mexico to get a better idea about bullfighting, but forgot to take a sketchbook or paintbox, so he found himself using words to describe what he ...
The Dangerous Summer is a nonfiction book by Ernest Hemingway published posthumously in 1985 and written in 1959 and 1960. The book describes the rivalry between bullfighters Luis Miguel Dominguín and his brother-in-law, Antonio Ordóñez, during the "dangerous summer" of 1959.
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Alexander Rupert Fiske-Harrison (born 22 July 1976) is an English author, journalist and conservationist. [1]His writing is known for his immersion in his subject matter. He trained and worked for some years as a method actor.
Francisco Romero (1700–1763) was a significant Spanish matador.He reputedly introduced the famous red cape into bullfighting in around 1726.[1] [2]He was apparently the inventor of several characteristics that started to be used in a key period for bullfighting when the modern on foot system was defined, as the use of the muleta (cape) and estoque (sword) to kill the bull face to face, thus ...
Belmonte was also a close friend of authors Henry de Montherlant and Ernest Hemingway, and he appears in two of Hemingway's books: Death in the Afternoon and The Sun Also Rises. Like Hemingway, Belmonte committed suicide by gunshot. [5] Juan Belmonte was the single matador that changed the style of bullfighting.
Toros Y Toreros is a 1961 book of bullfighting drawings by Pablo Picasso with text by bullfighter Luis Miguel Dominguin (translated from Spanish by Georges Franck) and an essay by Georges Boudaille. The title of the book is handwritten by Picasso. Picasso created the cover page and illustrations using a series of three sketchbooks.