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"Rainy Days and Mondays" is a song by the Carpenters from their self-titled third album, with instrumental backing by the Wrecking Crew. [3] It was written by Paul Williams (lyrics) and Roger Nichols (music), who had previously written "We've Only Just Begun," another hit for the duo.
This is a comprehensive list of songs written or performed by pop duo the Carpenters, featuring Karen and Richard Carpenter. This list includes official studio albums, live albums, solo albums, and notable compilations that feature rare or unreleased material.
The Carpenters [a] were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition. During their 14-year career, the Carpenters recorded 10 albums ...
The discography of the American pop group the Carpenters consists of 14 studio albums, two Christmas albums, two live albums, 49 singles, and numerous compilation albums. . The duo was made up of siblings Karen (lead vocals and drums) and Richard Carpenter (keyboards and vocal
When Richard Carpenter asked Bacharach for permission (as a courtesy) to redo the song, Bacharach requested that he keep the two "quintuplets" (five note groupings" (piano ornaments) at the end of the first bridge. Bacharach recalled his initial reaction on hearing the finished product: "Man, this is just great!
Richard Carpenter also changed the bridge and chord structure, changes Williams felt detracted from the song and he believed that Carpenters would have greater success if they had recorded the song unchanged. [2] The song was recorded as a tract for Carpenters' album A Song for You, and was released two years later as a single in the US. [1]
"Goodbye to Love" is a song composed by Richard Carpenter and John Bettis. It was released by the Carpenters in 1972. On the Close to You: Remembering The Carpenters documentary, Tony Peluso stated that this was one of the first power ballads, if not the first, to have a fuzz guitar solo.
In some ways, Ticket to Ride is the Carpenters' most interesting album, for it contains a range of interests and sounds that were modified or abandoned on subsequent albums. The lushly orchestrated "Someday" is a brilliant showcase for Richard's arranging skills and the most dramatic side of Karen's voice - it points the way toward songs like ...