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The compound may be more stable than metallic silver and may also have a different color or tone. Different toning processes give different colors to the final print. In some cases, the printer may choose to tone some parts of a print more than others. [1] Toner also can increase the range of shades visible in a print without reducing the contrast.
Chromogenic prints, like most color photographic prints, are developed using the RA-4 process. As of 2017, the major lines of professional chromogenic print paper are Kodak Endura and Fujifilm Crystal Archive. [21] Plastic chromogenic "papers" such as Kodak Duratrans and Duraclear are used for producing backlit advertising and art. [citation ...
Photographic printing is the process of producing a final image on paper for viewing, using chemically sensitized paper. The paper is exposed to a photographic negative , a positive transparency (or slide ) , or a digital image file projected using an enlarger or digital exposure unit such as a LightJet or Minilab printer.
Agfacolor. Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6); Anthotype; Autochrome Lumière, 1903
Contact lithography, also known as contact printing, is a form of photolithography whereby the image to be printed is obtained by illumination of a photomask in direct contact with a substrate coated with an imaging photoresist layer.
Tintype portrait in a paper mat, taken at Pease's Nantasket Tintype Gallery, circa 1900. There are two historic tintype processes: wet and dry. In the wet process, a collodion emulsion containing suspended silver halide crystals had to be formed on the plate just before it was exposed in the camera while still wet.
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