Search results
Results From The WOW.Com Content Network
Pages in category "Fictional characters with alter egos" The following 56 pages are in this category, out of 56 total. This list may not reflect recent changes .
The term is commonly used in literature analysis and comparison to describe characters who are psychologically identical. This category is for alter egos of real people. For alter egos of fictional characters, see: Category:Fictional characters with alter egos
An alter ego (Latin for "other I") means an alternate self, which is believed to be distinct from a person's normal or true original personality. Finding one's alter ego will require finding one's other self, one with a different personality. Additionally, the altered states of the ego may themselves be referred to as alterations.
Her fictional oeuvre, which includes The Old Man and the Wolves, Murder in Byzantium, and Possessions, while often allegorical, also approaches the autobiographical in some passages, especially with one of the protagonists of Possessions, Stephanie Delacour—a French journalist—who can be seen as Kristeva's alter ego.
The Book of Dolores is a book of photographs and paintings exploring femininity written by William T. Vollmann and published in 2013 by powerHouse Books.Vollmann began seriously cross-dressing in 2008 and developed a female alter ego named Dolores.
Quailman is the alter ego of Doug Funnie in the animated TV sitcom Doug. Quiverwing Quack is the alter ego of Gosalyn Mallard in the Disney animated series Darkwing Duck. Ran is the alter ego of Sunao from the anime novel Sukisho. Duane Dibbley is the alter ego of Cat and Ace Rimmer is the alter ego of Rimmer in the sci-fi TV show Red Dwarf.
Psychoanalytic literary criticism is a method of reading and analysing texts through the lens of psychoanalytic principles. [3] It is largely informed by Freudian psychoanalysis, but has since grown into its own field in literary theory, influenced by the work of psychoanalysts such as Carl Jung, Melanie Klein, and Jacques Lacan.
A secret identity is a person's cryptonym, incognito, cover and/or alter ego which is not known to the general populace, most often used in fiction.Brought into popular culture by the Scarlet Pimpernel in 1903, the concept was widespread in pulp heroes and is particularly prevalent in the American comic book genre, and is a trope of the masquerade.