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Their 1986 cover of "Funky Town" (a 1979 Disco hit by Lipps Inc.) was an international success, peaking at No. 1 in Australia and New Zealand and becoming a top ten hit in Sweden, Canada, the United States, and in the United Kingdom. Their 1984 debut album, Autumnal Park, peaked at No. 11 on the Australian Kent Music Report.
"Funky Friday" is a song by British rapper Dave featuring fellow British rapper Fredo. The song was self-released as a single on 5 October 2018 for streaming and digital download. Produced by 169 and Dave, it debuted at the top of the UK Singles Chart, becoming both artists' first number one. [1]
AllMusic's Stephen Thomas Erlewine wrote: "the soundtrack to a lightweight comedy co-written by Ice Cube, the record conveys all the strengths of hit urban radio. Keeping all the good elements of the format -- including the G-funk of Dr. Dre, old-school soul, contemporary R&B, and gangsta rap-- the record sounds like a "Best of the '90s" collection". [2]
Some funk bass players use electronic effects units to alter the tone of their instrument, such as "envelope filters" (an auto-wah effect that creates a "gooey, slurpy, quacky, and syrupy" sound) [32] and imitate keyboard synthesizer bass tones [33] (e.g., the Mutron envelope filter) [27] and overdriven fuzz bass effects, which are used to ...
The song "Superhoes" from their second album Brothas Doobie was featured on the 1995 soundtrack to F. Gary Gray's film Friday. The song "Act On It" from their third album was used in the Kirk Wong's 1998 film The Big Hit. From 2003 to 2004, Son Doobie released two solo full-length albums via Battle Axe Records, Funk Superhero and Doobie Deluxe.
Medeski Martin & Wood (or MMW) is an American jazz fusion band formed in 1991, consisting of John Medeski on keyboards, Billy Martin on drums, and Chris Wood on bass. The band is influenced by musical traditions including funk and hip hop and is known for an unconventional style sometimes described as "avant-groove".
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House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [10] It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.