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Godna, also known as Khoda, is an ancient traditional form of tattoo art originating from the tribal communities of Northern and Central India. [1] [2] These tattoos are characterized by intricate designs and vivid colors, often depicting elements of nature, mythology, and daily life.
The tattoos could represent pride in being a woman, beauty, and protection. [4] They were associated with rites of passage for women and could indicate marital status. The motifs and shapes varied from island to island. Among some peoples it was believed that women who lacked hajichi would risk suffering in the afterlife. [5]
Typical markings include vertical lines from the lower lip that extend to beneath the chin. [2] According to tattoo anthropologist Lars Krutak, the width of the lines and the spacing between them were traditionally associated with each of the nine groups of Hän Gwich’in. Girls would be tattooed to identify their group.
The custom of tattooing young girls and boys died out after World War II with the establishment of the FPR Yugoslavia, and tattoos done by the traditional method are now only seen on old women. [ 23 ] [ 24 ] Today, there is a growing trend of modern tattoo artists utilising the traditional designs with contemporary tattooing methods in Croatia ...
Tattoos are known as batok (or batuk) or patik among the Visayan people; batik, buri, or tatak among the Tagalog people; buri among the Pangasinan, Kapampangan, and Bicolano people; batek, butak, or burik among the Ilocano people; batek, batok, batak, fatek, whatok (also spelled fatok), or buri among the various Cordilleran peoples; [2] [3] [11] and pangotoeb (also spelled pa-ngo-túb ...
Blackout tattoos may also be used as a background for color or black-on-black patterns and designs. [25] In some cases, designs in white ink are placed on top of blackout tattoos after they have healed to create visual contrast. [26] Scarification is sometimes used on top of blackout tattoos. This provides a similar effect to white ink tattoos ...
Women continued receiving moko through the early 20th century, [12] and the historian Michael King in the early 1970s interviewed over 70 elderly women who would have been given the moko before the 1907 Tohunga Suppression Act. [13] [14] Women's tattoos on lips and chin are commonly called pūkauae or moko kauae. [15] [16]
The tattoo only confers its powers so long as the bearer observes certain rules and taboos, such as abstaining from a certain type of food. [ 1 ] Sak yant designs are also applied to many other media, such as cloth or metal, and placed in one's house, place of worship, or vehicle as a means of protection [ citation needed ] from danger or ...