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Color grading is a post-production process common to filmmaking and video editing of altering the appearance of an image for presentation in different environments on different devices. Various attributes of an image such as contrast, color, saturation, detail, black level, and white balance may be enhanced whether for motion pictures, videos ...
The Hollywood Professional Association Award for Outstanding Color Grading in a Feature Film is an annual award, given by the Hollywood Professional Association, or HPA, to post production workers in the film and television industry, in this case color graders. It was first awarded in 2006, and has been presented every year since.
These early systems used black-and-white film to photograph and project two or more component images through different color filters. During the 1930s, the first practical subtractive color processes were introduced. These also used black-and-white film to photograph multiple color-filtered source images, but the final product was a ...
The American Society of Cinematographers Color Decision List (ASC CDL) is a format for the exchange of basic primary color grading information between equipment and software from different manufacturers. The format defines the math for three functions: Slope, Offset and Power.
Color grading is done by varying the amount of red, green, and blue light used to expose the intermediate. The digital intermediate process uses digital tools to color grade, which allows for much finer control of individual colors and areas of the image, and allows for the adjustment of image structure (grain, sharpness, etc.).
Color grading is vital to the film editing process, and is technology that allows editors to enhance a story. Acmade Picsynch for sound and picture coordination Today, most films are edited digitally (on systems such as Media Composer , Final Cut Pro X or Premiere Pro ) and bypass the film positive workprint altogether.
A cinematic technique where the camera looks down on the subject from a high angle and the point of focus often gets "swallowed up." [ 32 ] High-angle shots can make the subject seem vulnerable or powerless when applied with the correct mood, setting, and effects. [ 33 ]
ACES 1.0 is a color encoding system, defining one core archival color space, and then four additional working color spaces, and additional file protocols. The ACES system is designed to cover the needs film and television production, relating to the capture, generation, transport, exchange, grading, processing, and short & long term storage of ...