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Disasters of War: Etchings by Francisco de Goya y Lucientes, from the unique album of proofs printed by the artist, in the collection of the British Museum . 2 volumes. London: Folio Society, 2014. Sayre, Eleanor A. The Changing Image: Prints by Francisco Goya. Boston: Museum of Fine Arts, 1974. ISBN 0-87846-085-3; Shaw, Philip.
The Third of May 1808 in Madrid (also known as El tres de mayo de 1808 en Madrid or Los fusilamientos de la montaña del Príncipe Pío, [2] or Los fusilamientos del tres de mayo. Commonly known as The Third of May 1808.) [1] is a painting completed in 1814 by the Spanish painter Francisco Goya, now in the Museo del Prado, Madrid.
This is worse (Spanish: Esto es peor [1]) is an etching and wash drawing by the Spanish artist Francisco Goya (1746–1828). Completed between 1812 and 1815, though not published until 1863, it forms part of his The Disasters of War series, [2] which Goya created as a visual protest against the violence of the 1808 Dos de Mayo Uprising and subsequent Peninsular War of 1808–1814.
Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
Yard with Lunatics, c. 1794. Francisco José de Goya y Lucientes (/ ˈ ɡ ɔɪ ə /; Spanish: [f ɾ a n ˈ θ i s k o x o ˈ s e ð e ˈ ɣ o ʝ a i l u ˈ θ j e n t e s]; 30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker.
The Second of May 1808, by Goya, also known as The Charge of the Mamelukes (Spanish: El 2 de mayo de 1808 en Madrid, La lucha con los mamelucos or La carga de los mamelucos), [1] is a painting by the Spanish painter Francisco Goya. It is a companion to the painting The Third of May 1808 and is set in the Calle de Alcalá near Puerta del Sol ...
José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a portrait of French film great Jean-Claude Carrière, captured breaking down the paintings and personality of painter ...
The Prisoners is a series of three etchings by Francisco de Goya, depicting imprisoned men with indistinct faces, bound with leg irons in stress positions.The prints are not dated, but they are believed to have been made between 1810 and 1815, around the time Goya started his print series The Disasters of War.