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Its members also belonged to other art movements and groups during the Weimar Republic era, such as architect Walter Gropius (founder of Bauhaus), and Kurt Weill and Bertolt Brecht (agitprop theatre). [14] The artists of the November Group kept the spirit of radicalism alive in German art and culture during the Weimar Republic.
The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub , the director of the Kunsthalle in Mannheim , who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a ...
The Weimar Republic era began in the midst of several major movements in the fine arts. German Expressionism had begun before World War I and continued to have a strong influence throughout the 1920s, although artists were increasingly likely to position themselves in opposition to expressionist tendencies as the decade went on.
[2] 1920s Berlin was at the hectic center of the Weimar culture. Although not part of Germany, German-speaking Austria, and particularly Vienna, is often included as part of Weimar culture. [3] Bauhaus was a German art school operational from 1919 to 1933 that combined crafts and the fine arts. Its goal of unifying art, craft, and technology ...
The student accommodation wing, Bauhaus Dessau building by Walter Gropius (1925–26) The New Objectivity (a translation of the German Neue Sachlichkeit, sometimes also translated as New Sobriety) is a name often given to the Modern architecture that emerged in Europe, primarily German-speaking Europe, in the 1920s and 30s.
The development of modern art at the beginning of the 20th century, albeit with roots going back to the 1860s, denoted a revolutionary divergence from traditional artistic values to ones based on the personal perceptions and feelings of the artists. Under the Weimar government of the 1920s, Germany emerged as a leading center of the avant-garde.
The Weimar Republic, [d] officially known as the German Reich, [e] was a historical period of Germany from 9 November 1918 to 23 March 1933, during which it was a constitutional republic for the first time in history; hence it is also referred to, and unofficially proclaimed itself, as the German Republic.
Glitter and Doom was a Special Exhibit shown at the Metropolitan Museum of Art featuring portrait art of Germany from 1919-1933, between the World Wars when the Weimar Republic was in political power. This Special Exhibit Archived 2007-02-14 at the Wayback Machine was shown from November 16, 2006 to February 19, 2007.