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In the English language, this work is known under three different titles. Although English publications about Schopenhauer played a role in the recognition of his fame as a philosopher in later life (1851 until his death in 1860) [4] and a three volume translation by R. B. Haldane and J. Kemp, titled The World as Will and Idea, appeared already in 1883–1886, [5] the first English translation ...
Schopenhauer viewed personality and intellect as inherited. He quotes Horace's saying, "From the brave and good are the brave descended" (Odes, iv, 4, 29) and Shakespeare's line from Cymbeline, "Cowards father cowards, and base things sire base" (IV, 2) to reinforce his hereditarian argument. [87]
Schopenhauer began by analyzing the basic concepts of freedom and self-consciousness. He asserted that there are three types of freedom; physical, intellectual, and moral (the terms were sometimes used in philosophy, as he shows in chapter four). Physical freedom is the absence of physical obstacles to actions. This negative approach can also ...
On Vision and Colors (originally translated as On Vision and Colours; German: Ueber das Sehn und die Farben) is a treatise [1] by Arthur Schopenhauer that was published in May 1816 when the author was 28 years old.
Basis of all dialectic, according to Schopenhauer. In Volume 2, § 26, of his Parerga and Paralipomena, Schopenhauer wrote: . The tricks, dodges, and chicanery, to which they [men] resort in order to be right in the end, are so numerous and manifold and yet recur so regularly that some years ago I made them the subject of my own reflection and directed my attention to their purely formal ...
Schopenhauer published the first description of the porcupines' dilemma in 1851. [2] The concept originates in the following parable from the German philosopher Schopenhauer: [2] [3] One cold winter's day, a number of porcupines huddled together quite closely in order through their mutual warmth to prevent themselves from being frozen.
Schopenhauer believed that while all people were in thrall to the Will, the quality and intensity of their subjection differed: Only through the pure contemplation . . . which becomes absorbed entirely in the object, are the Ideas comprehended; and the nature of genius consists precisely in the preëminent ability for such contemplation. . . .
After this incident, Schopenhauer took the opportunity to demonstrate that Hegel’s writings are, as he says, “a pseudo-philosophy that cripples all mental powers, suffocates real thinking and substitutes by means of the most outrageous use of language the hollowest, the most devoid of sense, the most thoughtless, and, as the outcome confirms, the most stupefying jumble of words”, a claim ...