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Mechanically animated figures, known as automata, have been created at least since antiquity. Early examples of attempts to capture the phenomenon of motion into a still drawing can be recognised in paleolithic cave paintings, for instance in the Cave of Altamira, where animals are sometimes depicted with multiple legs in superimposed positions.
His 1914 film Gertie the Dinosaur featured an early example of character development in drawn animation. [13] It was also the first film to combine live-action footage with animation. Originally, McCay used the film in his vaudeville act: he would stand next to the screen and speak to Gertie who would respond with a series of gestures.
The animated segment in Winsor McCay's Little Nemo (1911) was probably the first animation to use more hand-drawn images than the 700 images of Reynaud's Un Bon Bock. While most early animations were black and white, a version of Little Nemo was hand-colored by McCay. Winsor McCay also used short loops of repeated images in several films, which ...
1905 – How Jones Lost His Roll, the first example of stop-motion animation in American film.; [114] The Whole Dam Family and the Dam Dog, early example of cutout animation [115] 1906 – Humorous Phases of Funny Faces, The House of Ghosts; 1907 – KatsudÅ Shashin, the oldest known work of animation from Japan.
Originally a novelty, some early animated silents depicted magic acts or were strongly influenced by the comic strip. Later, they were distributed along with newsreels. Early animation films, like their live-action silent cousins, would come with a musical score to be played by an organist or even an orchestra in larger theatres. [2]
John Whitney Sr. (1917–1995) was an American animator, composer and inventor, widely considered to be one of the fathers of computer animation. [1] In the 1940s and 1950s, he and his brother James created a series of experimental films made with a custom-built device based on old anti-aircraft analog computers (Kerrison Predictors) connected by servomechanisms to control the motion of lights ...
Today, cutout-style animation is frequently produced using computers, with scanned images or vector graphics taking the place of physically cut materials. South Park is a notable example of the transition, since its pilot episode was made with paper cutouts before switching to computer software.
An early use of real-time computer graphics or "digital puppetry" to create a character in a motion picture. [36] The Rescuers Down Under: First 2-D animated film to be produced with solely digital ink and paint . First fully digital feature film. Backdraft: 1991 First use of photorealistic CGI fire in a motion picture. [36]