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In 1926, while Cuney was still a student at Lincoln University, his poem "No Images" won first prize in a competition sponsored by Opportunity magazine. The poem poignantly portrays a black woman's internalization of European beauty standards. It has been widely anthologized and is considered a minor classic of the New Negro Movement. [3]
Posters and leaflets centered on themes of "free press, free association, democracy/reforms, more freedoms and [ending] official corruption." [17] However, during the lead up to and after June 4, cartoons ridiculing government and Party officials emerged. [18] Posters of Party leaders such as Li Peng and Deng Xiaoping began to appear at the ...
A blank piece of A4 paper, held up in protest by a student at Hong Kong University. Blank pieces of paper, posters and placards have been used as a form of protest. The message sent by such a protest is meant to be implicit and understood, but the lack of writing and slogans on the paper itself is designed to thwart efforts by authorities to prove that their prohibitions and regulations have ...
"Make love, not war" is an anti-war slogan commonly associated with the American counterculture of the 1960s. It was used primarily by those who were opposed to the Vietnam War , but has been invoked in other anti-war contexts since, around the world.
Poems on Various Subjects, Religious and Moral by Phillis Wheatley, Negro Servant to Mr. John Wheatley, of Boston, in New England (published 1 September 1773) is a collection of 39 poems written by Phillis Wheatley, the first professional African-American woman poet in America and the first African-American woman whose writings were published.
The 30-word recruiting poster was developed as Britons' collective hopes of the war being over by Christmas were dashed in January 1915 and volunteer enlistments fell. [37] A 2013 book researched by James Taylor counters the popular belief that the Leete design was an influential recruitment tool during the war.
Lu Tong (pinyin: Lú Tóng; Wade–Giles: Lu T'ung; simplified Chinese: 卢仝; traditional Chinese: 盧仝; 790–835), pseudonym Yuchuanzi (Chinese: 玉川子), was a Chinese poet of the Tang dynasty, known for his lifelong study of Chinese tea culture. He never became an official, and is better known for his love of tea than his poetry. [1] [2]
Posters used the language spoken in the region they were to be used in, and thus propaganda posters using the Arabic and Latin scripts exist, in addition to Cyrillic. [ 15 ] [ 18 ] Arabic script in posters had begun to be phased out by the 1930s, as the Soviet government promoted Latin-based scripts for speakers of languages such as Azerbaijani ...