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This is a list of handprint ceremonies for the TCL Chinese Theatre in Hollywood Los Angeles, California (originally "Grauman's Chinese Theatre"). Footprints and signatures are also included, and in some cases imprints of other objects: Sonja Henie imprinted her ice skates. [1]
Plaster is widely used as a support for broken bones; a bandage impregnated with plaster is moistened and then wrapped around the damaged limb, setting into a close-fitting yet easily removed tube, known as an orthopedic cast. Plaster is also used in preparation for radiotherapy when fabricating individualized immobilization shells for patients ...
It is chiefly made of plaster of Paris (powdered gypsum), with a little cement, glycerin, and dextrin, mixed with water until it is about as thick as molasses. When staff is cast in molds, it can form any shape. To strengthen it, coarse cloth or bagging, or fibers of hemp or jute, are put into the molds before casting. It becomes hard enough in ...
The earliest plasters known to us were lime-based. Around 7500 BC, the people of 'Ain Ghazal in Jordan used lime mixed with unheated crushed limestone to make plaster which was used on a large scale for covering walls, floors, and hearths in their houses. Often, walls and floors were decorated with red, finger-painted patterns and designs.
Tadelakt (Moroccan Arabic: تدلاكت, romanized: tadlākt) is a waterproof plaster surface used in Moroccan architecture to make baths, sinks, water vessels, interior and exterior walls, ceilings, roofs, and floors. It is made from lime plaster, which is rammed, polished, and treated with soap to make it waterproof and water-repellent. [1]
Sometimes an ordinary bright flashlight will make a latent print visible. When friction ridges come into contact with a surface that will take a print, material that is on the friction ridges such as perspiration, oil, grease, ink, or blood, will be transferred to the surface. Factors which affect the quality of friction ridge impressions are ...
Roughcast or pebbledash is a coarse plaster surface used on outside walls that consists of lime and sometimes cement mixed with sand, small gravel and often pebbles or shells. [1] The materials are mixed into a slurry and are then thrown at the working surface with a trowel or scoop.
The oldest method, known as the a massello technique, involves cutting the wall and removing a considerable part of it together with both layers of plaster and the fresco painting itself. The stacco technique, on the other hand, involves removing only the preparatory layer of plaster, called the arriccio together with the painted surface.