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For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754). Under their influence, straight lines disappeared ...
Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
Most houses are symmetrical with the entrance door occupying the place of honour. Typically this front door leads to a foyer which then either leads to the sala (the main hall for entertaining a large number of guests) or the sala de visita (a smaller hall for entertaining a small number of guests) and in some cases the chapel in the house ...
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
McKim, Mead, and White renovation of the Entrance Hall in 1924 during the administration of Calvin Coolidge. An 1882 photograph shows the Tiffany screen, Brumidi frescos, and encaustic tile floor. The Entrance Hall (also called the Grand Foyer) is the primary and formal entrance to the White House, the official residence of the president of the ...
A floor plan with a modern vestibule shown in red. A vestibule (also anteroom, antechamber, air-lock entry or foyer) is a small room leading into a larger space [1] such as a lobby, entrance hall, or passage, for the purpose of waiting, withholding the larger space from view, reducing heat loss, providing storage space for outdoor clothing, etc.