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We're the Superhumans is a television advert which was produced by Channel 4 to promote its broadcast of the 2016 Summer Paralympics in Rio de Janeiro.. Serving as a follow-up to Meet the Superhumans (which was used to promote the 2012 Summer Paralympics in London), the advert featured people of various backgrounds and disabilities (including several British Paralympic athletes) performing ...
[81] [82] Channel 4's coverage of the Games drew relatively high viewership; its coverage of the opening ceremony was seen by an average of 7.6 million viewers, a 40% share, and peaked at 11.2 million viewers—making it one of Channel 4's most-watched programmes in network history. [83]
A fact from We're the Superhumans appeared on Wikipedia's Main Page in the Did you know column on 1 October 2016 (check views). The text of the entry was as follows: Did you know... that Channel 4's 2016 Paralympics trailer "We're the Superhumans" featured a big band comprised of musicians with disabilities?
We Are Superhuman (stylized in all caps as NCT #127 WE ARE SUPERHUMAN) is the fourth Korean extended play (fifth overall) by South Korean boy band NCT 127.Originally confirmed concurrently during the release of their first Japanese studio album Awaken earlier in April 2019, it was released on May 24, 2019 by SM Entertainment and Capitol Music Group. [2]
A registered non profit, they work with the local community and the police, [110] and have featured in several news stories. [111] [112] [65] A Thrillist article on the world's first superhero training center called The Superhero Foundry in Las Vegas was published in August 2018. [113]
Random article; About Wikipedia; Contact us; Contribute ... Fictional superhumans (7 C, 1 P)-Superhero fiction ... (12 C, 179 P) T.
This category has the following 8 subcategories, out of 8 total. Anime and manga characters with superhuman strength (1 C, 116 P) Comics characters with superhuman strength (5 C, 114 P)
Writing in 1995, Hudnall noted the spy genre, Japanese anime films and the British TV series The Champions as influences on the series. [1] He hoped Espers would bridge the gap between superhero comics aimed at younger readers and the growing adult-orientated comic market, and strove to write strong female characters for the series; Hudnall hoped to create "a Hill Street Blues of comic books".