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Although it is sometimes stated that 'Tibetan singing bowls' date back to a pre-Buddhist, shamanic Bon-Po tradition, the manufacture and use of bowls specifically for the purpose of 'singing' (as opposed to standing bells/bowls that are intended to be struck) is believed to be a modern phenomenon. [17]
Although it is sometimes stated that 'Tibetan singing bowls' date back to a pre-Buddhist, shamanic Bon-Po tradition, the manufacture and use of bowls specifically for the purpose of 'singing' (as opposed to standing bells/bowls that are intended to be struck) is believed to be a modern and non-Tibetan phenomenon. [9]
Today, tingsha are used along with singing bowls [1] and other instruments in meditation, music and sound healing. Artists such as Karma Moffett and Perteson Meneses, Joseph Feinstein use multiple pairs of antique tingsha together to create a sonic tapestry effect.
Tibetan Buddhism developed its own musical notation system and manuscripts depicting this system have survived in use until the present day. [99] Tibetan monks are also noted for their skill at throat-singing or overtone singing. [9] This is a specialized form of singing in which the singer can sound like he is producing separate notes ...
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As a studio musician, he has recorded on over 250 albums and film soundtracks. Guerguerian records with musicians of all genres and can be found playing Drumset, Middle Eastern and Afro-Cuban percussion, Frame Drums, Marimba, Tabla, Kanjira, Cajon, Gongs, Singing Bowls, Loopers, and various found objects.