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Comp.fonts FAQ: General Info Section four of six of the newsgroup FAQ; Twenty Faces; Planet typography A magazine on contemporary typography + a directory, a manual and other topics related to typography; The Printed Book Archived 2008-10-18 at the Wayback Machine; ABC typography. A virtual type museum "A brief history of the Fell Types". Igino ...
Tournai fonts are a type of baptismal font made from blue black limestone during the 12th and early 13th centuries in and around the Belgian town of Tournai by local masons. [1] There are seven complete examples in England [ 2 ] and a disputed number in Europe: eighty according to one source, [ 3 ] or fifty in Northern France and Belgium and ...
In the history of Western typography, humanist minuscule gained prominence as a basis for the typesetter's roman typeface, as it was standardized by Aldus Manutius, who introduced his revolutionary italic typeface based on the chancery hand in Venice, 1501, and practiced by designer-printers Nicolas Jenson and Francesco Griffo, respectively ...
In blackletter, this would look like a series of single strokes. As a result, dotted i and j (and briefly y ) were subsequently developed. [8] Minims may also have finials of their own. The script has many more scribal abbreviations than Carolingian, adding to the speed in which it could be written.
Apr. 22—Pity Comic Sans, the font that people love to hate. Developed by Vincent Connare in the mid-1990s, Comic Sans is what author SIMON GARFIELD describes as "type that has gone wrong" in his ...
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Didot's type in the Code civil des Français, printed by the company of Firmin Didot in 1804.. Didone (/ d i ˈ d oʊ n i /) is a genre of serif typeface that emerged in the late 18th century and was the standard style of general-purpose printing during the 19th century.
A variety of Clarendon revivals have been made since the original design, often adapting the design to different widths and weights. The original Clarendon design, a quite condensed design, did not feature an italic, and many early Clarendon designs, such as wood type headline faces, have capitals only with no lower-case letters, leaving many options for individual adaptation.