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The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
In fact slab-serif fonts (e. g. Clarendon from 1845) were newspaper fonts, whose serifs were strengthened in order to prevent damage during the printing process. Stylistically the serif fonts of the mid-19th century appeared very robust and otherwise had more or less neo-classical design features, which changed during the course of time: By the ...
Florentine poet Petrarch was one of the few medieval authors to have touched on the handwriting of his time; in two letters [5] he criticized the current scholastic hand, [a] with its protracted strokes (artificiosis litterarum tractibus) and exuberant (luxurians) letter-forms amusing the eye from a distance, but fatiguing on closer exposure ...
Gaelic type (sometimes called Irish character, Irish type, or Gaelic script) is a family of Insular script typefaces devised for printing Early Modern Irish.It was widely used from the 16th century until the mid-18th century in Scotland and the mid-20th century in Ireland, but is now rarely used.
They first appeared in the mid-18th century and share certain features found in both Old Style and Modern faces. Pages in category "Transitional serif typefaces" The following 41 pages are in this category, out of 41 total.
David Berlow, of the Font Bureau, released a revival as Belizio in 1998. [33] [34] The Clarendon Text family, with italics inspired by Egizio, was released by Patrick Griffin of Canada Type. [35] Volta, sold as Fortune in the U.S., a modern view of Clarendon, was designed by Konrad Friedrich Bauer and Walter Baum for the Bauer Type Foundry in ...