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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Inclusive "we" specifically includes the addressee, while exclusive "we" specifically excludes the addressee; in other words, two (or more) words that both translate to "we", one meaning "you and I, and possibly someone else", the other meaning "me and some other person or persons, but not you".
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.
The person who brought realism in Hindi prose literature was Munshi Premchand, who is considered the most revered figure in the world of Hindi fiction and progressive movement. Literary, or Sāhityik , Hindi was popularised by the writings of Swami Dayananda Saraswati , Bhartendu Harishchandra and others.
from ख़ाकी khākī "of dust colour, dusty, grey", cf. Hindi ख़ाकी - Urdu خاکی [ultimately from Persian]. Karma from Sanskrit, the result of a person's actions as well as the actions themselves. It is a term about the cycle of cause and effect. Kedgeree
Romanised Hindi is also used by some newspapers such as The Times of India. [38] [39] The first novel written in this format, All We Need Is Love, was published in 2015. [40] Romanised Hindi has been supported by advertisers in part because it allows a message to be conveyed in a neutral script to both Hindi and Urdu speakers. [41]
Chitralekha is a slim volume with a narrative that is woven around a love story, and reflects on various aspects of human life. The story commences with a dialogue between the revered hermit Ratnakar (रत्नाकर) and his disciples, Shwetaank (श्वेतांक) and Vishaldev (विशालदेव), discussing the sins of humanity.
Suryakant Tripathi (21 February 1899 – 15 October 1961) was an Indian poet, writer, composer, and sketch artist who wrote in Hindi. He is considered one of the four major pillars [a] of the Chhayavad period in Hindi literature. He is renowned with the epithet Mahāprāṇ [b] and his pen name Nirālā [c]. [1]