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All horses are the same color: A fallacious argument by induction that appears to prove that all horses are the same color. Ant on a rubber rope : An ant crawling on a rubber rope can reach the end even when the rope stretches much faster than the ant can crawl.
Examples include: "The sequence 1, 2, 3, ... continues ad infinitum." "The perimeter of a fractal may be iteratively drawn ad infinitum." The 17th-century writer Jonathan Swift incorporated the idea of self-similarity in the following lines from his satirical poem On Poetry: a Rhapsody (1733):
In music, the conclusion is the ending of a composition and may take the form of a coda or outro. Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected ...
ad infinitum: to infinity: i.e., enduring forever. Used to designate a property which repeats in all cases in mathematical proof. Also used in philosophical contexts to mean "repeating in all cases". ad interim (ad int.) for the meantime: As in the term "chargé d'affaires ad interim", denoting a diplomatic officer who acts in place of an ...
The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient. Works falling into the following categories are excluded:
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The album received mostly positive reviews. Distorted Sound Magazine described the album "Heavily inspired by the history and mythology of Ancient Egypt, 'Chapter III - Downfall' is an album where every track is a potential single in waiting, it's a lean, efficient and finely-tuned machine.
Baroque opera arias and a considerable number of baroque sacred music arias was dominated by the Da capo aria which were in the ABA form. A frequent model of the form began with a long A section in a major key, a short B section in a relative minor key mildly developing the thematic material of the A section and then a repetition of the A section. [4]