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Mineral painting or Keim's process, also known as stereochromy, is a mural or fresco painting technique that uses a water glass -based paint to maximize the lifetime of the finished work. The name "stereochromy" was first used in about 1825 by Johann Nepomuk von Fuchs and Schlotthaurer. [1] In the original technique, pigments were applied to ...
Silicate mineral paint. Silicate mineral paints or mineral colors are paint coats with mineral binding agents. Two relevant mineral binders play a role in the field of colors: Lime and silicate. Under influence of carbon dioxide, lime-based binders carbonate and water silicate-based binders solidify. Together they form calcium silicate hydrates.
Sodium silicate is used as an alum coagulant and an iron flocculant in wastewater treatment plants. Sodium silicate binds to colloidal molecules, creating larger aggregates that sink to the bottom of the water column. The microscopic negatively charged particles suspended in water interact with sodium silicate.
Keimfarben produces paint systems for external and internal use, mineral renders and fillers, natural stone repair systems and thermal insulation composite systems, together with concrete repair and surface protection systems. A new item in the product range is silicate paint for wooden substrates.
A Chinese "cinnabar red" carved lacquer box from the Qing dynasty (1736–1795), National Museum of China, Beijing. Vermilion (sometimes vermillion) [1] is a color family and pigment most often used between antiquity and the 19th century from the powdered mineral cinnabar (a form of mercury sulfide).
Ultramarine is a deep blue color pigment which was originally made by grinding lapis lazuli into a powder. [2] Its lengthy grinding and washing process makes the natural pigment quite valuable—roughly ten times more expensive than the stone it comes from and as expensive as gold. [3][4] The name ultramarine comes from the Latin ultramarinus.