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Frank Tannenbaum (March 4, 1893 – June 1, 1969) was an Austrian-American historian, sociologist and criminologist, who made significant contributions to modern Mexican history during his career at Columbia University.
Frank Tannenbaum first introduced the idea of "tagging." [6] Kerry Townsend (2001) writes about the revolution in criminology caused by Tannenbaum's work:"The roots of Frank Tannenbaum's theoretical model, known as the 'dramatization of evil' or labeling theory, surfaces in the mid- to late-thirties.
Benjamin Tannenbaum (1906–1941), New York mobster; Elhanan Tannenbaum, (born 1946) former captive Israeli officer and shady businessman; Emmanuel David Tannenbaum (1978-2012), Israeli/American biophysicist; Frank Tannenbaum (1893–1969), American sociologist; Judith Tannenbaum (born 1947), American teaching artist and writer
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Frank Tannenbaum, for example, wrote that the Klan of the Reconstruction era "was a reflex of the vindictiveness of Northern politicians and of the unscrupulous carpet-baggers who swooped down upon the South as a vulture upon a wounded and stricken victim."
In 1957, Robert Tannenbaum and Warren H. Schmidt developed a leadership continuum with relationship orientation characterized by high employee freedom on one extreme and task oriented behavior characterized by high use of leader authority at the other extreme.
Frank J. Macchiarola (April 7, 1941 – December 18, 2012), was an American academic. His interests and expertise spanned the legal, academic, executive management and public service areas. [ 1 ] From 2008 until his death, Macchiarola was the Chancellor of St. Francis College , after having been the college's president from 1996 to 2008.
After the Nazis came to power in 1933, Tannenbaum was persecuted because of his Jewish heritage. On April 1, 1933, his art shop was boycotted. [6] From April 4 to June 5, 1933, the art-political smear show Kulturbolschewistische Bilder (Cultural Bolshevik Images) took place at the Kunsthalle Mannheim under the new National Socialist leadership, in which the acquisitions of modern art under the ...